前言:
该项目是一个两室一厅的二手学区房,前业主已装修,但前屋存在着昏暗、通风差等功能不足的问题,所以在这次旧房改造的设计策略上,设计师更改了部分墙体结构,来补足原有功能的缺失,同时激发空间上的品质,打造一个满足新业主生活品质的空间。
The project is a renovation of a second-hand school district house with two bedrooms and one living room. The former owner has been decorated, but the front house has insufficient functions such as darkness and poor ventilation. Therefore, in terms of design strategy, the designer has changed some wall structures to make up for the lack of original functions, stimulate the quality of space and create a space to meet the quality of life of the new owner.
这次改造始于业主的生活需求和生活状态,基于实用主义,实现了空间、功能、质感、情绪的统一。除此以外,消除了所有多余和不必要的细节,只留下对简约和空间的思考。然而,这种简单中却隐藏着复杂的层次和纹理,整个空间在简约的外表下呈现出微妙和复杂。
The transformation began with the owner's living needs and living conditions. Based on pragmatism, it realized the unity of space, function, texture and emotion. In addition, it eliminates all redundant and unnecessary details, leaving only thinking about simplicity and space. However, there are complex layers and textures hidden in this simplicity, an
干净简约的玄关成为整个开放空间中的导向性元素,强调出房间从前到后的联系,它们构建出从入口到客厅的视野景观与交通流线,使空间连续而富有流动感。
The clean and simple porch has become a guiding element in the whole open space, emphasizing the connection between the front and back of the room. They build a visual landscape and traffic flow line from the entrance to the living room, making the space continuous and dynamic.
客厅具备了包容度的空间可塑性,在具象与抽象之间形成微妙的平衡,以模糊的、留白的方式,让更多遐想的生活在这里成为可能。
The living room has the spatial plasticity of tolerance, forms a delicate balance between concrete and abstract, and makes more daydream life possible here in a fuzzy and blank way.
客餐厅之间没有空间上的分隔,保证空间整体性的同时彼此也具有独立性。墙上的几何色块在满足客厅收纳的同时,也作为一组色块雕塑为这个空间注入活力与生机。
There is no spatial separation between guest restaurants, which ensures the integrity of the space and the independence of each other. The geometric color blocks on the wall not only meet the storage of the living room, but also inject vitality and vitality into this space as a group of color block sculptures.
原先以L形组织的厨房空间,如今也已改造一新,集操作台、壁柜、蒸烤箱与一体的设备模块组成的U形厨房核心空间。此外,设计师还为厨房留出了更多的储存空间,并将立面打开赢得更大的采光,使厨房以更加开放的姿态面向整个室内空间。
The original L-shaped kitchen space has been transformed into a new U-shaped kitchen core space composed of equipment modules integrating console, wall cabinet and steam oven. In addition, the designer also set aside more storage space for the kitchen, opened the facade to win more daylighting, and made the kitchen face the whole indoor space with a more open attitude.
错落有致的布局形成了一个开放的子空间,以最大程度地利用早晚光线。
The scattered layout forms an open subspace to maximize the use of morning and evening light.
作为改造的重点,设计师将厨房与餐厅和客厅相连,合并成一个大空间,并通过空间两侧引入自然光,促成空气循环,创造出微风轻拂的室内环境。
As the focus of the transformation, the designer connects the kitchen with the dining room and living room to form a large space, and introduces natural light on both sides of the space to promote air circulation and create a breezy indoor environment.
卫生间三个功能独立分割,洗手间、淋浴间、洗漱间使用互不干扰。
The three functions of the toilet are separated independently, and the use of the toilet, shower and washroom does not interfere with each other.
卧室延续了整体简洁的设计风格,淡雅沉稳的配色使得整个睡眠区更加深邃放松,微水泥与原木的映衬下,整个空间显得通透而静谧,多角度诠释了空间的神秘氛围。
The bedroom continues the overall simple design style. The elegant and steady color matching makes the whole sleeping area more profound and relaxed. Against the background of micro cement and logs, the whole space appears transparent and quiet, and explains the mysterious atmosphere of the space from multiple angles.
书房破除了传统的概念,形成了一个集办公、休憩与储物一体的有趣空间,满足了日常的收纳需求,形成独特的空间体量。
The study breaks the traditional concept and forms an interesting space integrating office, rest and storage, which meets the daily storage needs and forms a unique space volume.
通过体块间的空隙设计增加了室内空间的流畅性,同时灯光的设计点亮了空间视野的层次感,比起照明,更多地向人们传达了整个空间的轻盈和愉悦。
Through the gap design between the blocks, the fluency of the indoor space is increased. At the same time, the lighting design lights up the hierarchical sense of the spatial vision, which conveys the lightness and pleasure of the whole space to people more than lighting.
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